Σάββατο, 24 Μαρτίου 2018

100 χρόνια από το θάνατο του Κλώντ Ντεμπυσσύ (25 Μαρτίου 1918) / Debussy: Violin Sonata, Cello Sonata, Piano Trio (youtube, 26/1/2018)

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100 χρόνια από το θάνατο του Κλώντ Ντεμπυσσύ (25 Μαρτίου 1918)

Debussy: Violin Sonata, Cello Sonata, Piano Trio

 (youtube, 26/1/2018)

 Composer: Claude Debussy 

Artists: Trio Stradivari, Federico Guglielmo (violin), Luigi Puxeddu (cello), Jolanda Violante (piano) 

 

These original works and arrangements for violin, cello and piano by Claude Debussy span the composer’s protean career, from the early Piano Trio of 1880 to the Cello Sonata of 1915 and the Violin Sonata, completed in 1917 as part of an abortive six-sonata project which ended halfway when he died the following year. Especially since the performances are given with the experience harvested by three musicians who are better known as early-music specialists, soaked in the philosophy of historically informed performance practice, they offer an intriguing survey, unique on record, of the composer’s development. As Harold Schonberg, music critic of The New York Times, wrote, it would be amusing to invite classical music ‘experts’ to listen to the Piano Trio, with its expressive reminiscences of Schumann, and then guess who the composer is: few of them would say Debussy. And yet the two late sonatas masterfully shuffle the cards of Impressionism, pre-Classical sonata structures and Stravinskian distance and eccentricity: the Cello Sonata originally bore a heavily symbolic title (Pierrot faché avec la lune) relating to the paintings of Watteau with their elusive mixture of melancholy and irony. It uses the timbre of early music and citations from the great French harpsichordists to conjure up Pierrot’s moody, troubled world, which was that of the slyly smiling masks of the commedia dell’arte. The arrangements are the work of several hands, among them Debussy himself, of better-known and justifiably popular works that revel in the sophisticated evocation of mood through lyrical melody and evanescent textures, including ‘The Girl with the Flaxen Hair’ and ‘Minstrels’ 

  

 

00:00:00 Piano Trio in G Major, L. 3: I. Andantino con moto allegro 00:09:04 Piano Trio in G Major, L. 3: II. Scherzo-Intermezzo. Moderato con allegro 00:12:35 Piano Trio in G Major, L. 3: III. Andante espressivo 00:16:30 Piano Trio in G Major, L. 3: IV. Finale. Appassionato 00:21:57 Violin Sonata in G Minor, L. 140: I. Allegro vivo 00:27:25 Violin Sonata in G Minor, L. 140: II. Intermède. Fantasque et legér 00:31:39 Violin Sonata in G Minor, L. 140: III. Finale. Très animé 00:36:11 Cello Sonata in D Minor, L. 135: I. Prologue. Lent, sostenuto e molto risoluto 00:40:54 Cello Sonata in D Minor, L. 135: II. Sérénade. Modérément animé 00:44:26 Cello Sonata in D Minor, L. 135: III. Final. Animé, léger et nerveux 00:48:05 Intermezzo, L. 27 00:53:34 Scherzo, L. 26 00:59:00 Préludes, L. 117: No. 12, Minstrels 01:01:22 Préludes, L. 117: No. 8, La fille aux cheveux de lin 01:04:00 Deux Arabesques, L. 66: Première Arabesque 01:08:57 Romances, L. 79: Romance No. 1 01:11:07 Rêverie, L. 68





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